| If walls could talk...the
walls of the Capitol Theatre could tell of many wonderful,
entertaining events that have taken place within its confines.
I'm sure it would recall the faces of
many people during Depression that
came to the theater to escape the reality of the world for a few short
hours by seeing silent movies, vaudeville
acts, musical numbers and stage
shows. It would remember the first
"talkie" and the excitment of the crowd as it waited for the
newest development in the entertainment field.
These were the days when the movie theatre was a special place to go.
The Capitol Theatre was built by
Bertig Realty Co. and its grand opening was Oct. 15, 1925. My father,
John A. Collins, was named manager.
The feature for the opening night was a silent film, "The Coast
Folly," starring Gloria Swanson. The program consisted of Norma Mad-dox
as the Queen of Amusement. Her assistants included: Louise Ford as Queen
of Music; Virginia Ellis as Queen of Motion Pictures; Isabelle Ellis as
Queen of Vaudeville and Jean Light as Queen of Spoken Drama. The Queen's
Entertainer was Ernie Futrell, who presented a solo dance.
In 1936, the Collins family purchased the Capitol and became the sole
Vaudeville acts and stage shows, as
well as silent movies, frequented the
Capitol in the late 1920s and early
1930s. There were three theatres in
northeast Arkansas equipped with stage and orchestra pit for vaudeville
acts and stage productions, They were the Empire Theatre in Jones-boro,
the Home Theatre in Blythe-ville and our own Capitol Theatre here in
Some of the well-remembered vaudeville acts included: Edgar Bergen,
Yodeling Jimmy Rogers, Tex Ritter, Roy Acuff, Ernest Tubb, Smiley
Burnett, Cliff Edwards and Ukulele Ike, Lash LaRue and Johnny Downs and
Mary Karnman, members of the original "Our Gang" series.
In 1930, a flood relief benefit show
featured Will Rogers and Captain Frank Hawks. Aaron Massengill's barber
shop was located in the Vandervoort Hotel at this time, and I'm sure an
unforgettable event in his life was the day he gave Will Rogers a shave.
I guess one of our biggest shows would have been George White's Scandals.
This show was advertised to be some-what risque. It had played in
Memphis and was booked to play in Jackson, Miss. However, the city
fathers of Jackson would not allow them to present their show in that
city; therefore, the Capitol got the booking.
I remember when word got around that George White's Scandals were
coming to the Capitol, three boys from Jonesboro A&M College (now
Arkansas State University) came and bought out the first 10 rows of
You should have seen the size of that production when they arrived. There
were two baggage cars full of scenery alone. There were 125 cast
members, 22 stage hands and a full orchestra. We recruited 10 stage
hands of our own to assist in handling the scenery. Among these stage
hands was Herbert Sanderson, who later became mayor of Jones-boro. On
particular piece of scenery was so heavy we used reinforce-ments to keep
it from pulling in the roof. The show starred Nora Bayes and Eugene and
Willie Howard, who later became well-known Broadway stars.
Needless to say, the house was sold out.
During this era, silent films such as
"The Sheik" with Rudolph Valentino,
"Don Q" with Douglas Fairbanks and "The Gold Rush" with Charlie Chaplin
were run. Of course, we had our organist playing for the films. The
organists for this era included Carrie Causey, Emily Gernand and Don
Hovey. The organist would usually be spotlighted and play a musical
variety before the feature would begin.
Our advertising consisted of bill-
board posters called "24 sheets,"
placed on the side of the Capitol building. A-frame billboards with a
sheet on each side would be all up and down Pruett Street. Handbills
were distributed, ads taken out in the newspaper and ads put on the side
of napkin holders in restaurants, all announcing that week's showing.
The movie changed every two days, and admission was 25 cents for night
showings and 15 cents for matinees. In 1934, the Capitol got its first
pop-corn machine. It was the only concession and sold for 5 cents a bag.
I must tell you about our weekly
publication, "Cinemag." It was start-
ed May 6, 1938. It was a free paper printed by a hand-fed press on
Thursday nights, to be ready for
group of grand dads lined up in front of the Capitol in 1939 when the
theater sponsored a grandfather's day. The Capitol was one of the first
Paragould buildings to feature air conditioning and the advertising
banners certainly let passersby know it. Above (right), movie star
Richard Travis was better known locally as Bill Justice and, of course,
got top billing whenever his films played here. Below , the original
Majestic Theater in the 1920s.
Photo courtesy: Orris Collins
|distribution on Friday. John Rainey
the printer for the "Greene County Citizen" and he did our
printing for us.
Editor was Hugh Ketchum.
Features of "Cinemag" included a
weekly chatter column by Margaret
Donaldson giving highlights of goings-
on around town. J.T. Hale was said to
nbe her ace reporter. There was "Opery Chat, " presenting the
latest news about movie stars and their new pictures, coming
direct from the studios four days ahead of news releases. Every
two weeks or so, we would have a guest editorial entitled, "What
Interest Me Most About Paragould."
The first guest editor was William A.
Kirsch. Another feature was "Micro-
phobia," a column for radio fans list-
ing programs of interest on KBTM.
Local businesses would advertise in
"Cinemag." At the bottom of each ad,
someone was named for a free pass to
the current showing at the Capitol.
We had what were known as "Cinemag
Boys" deliver the paper. In return, they received free passes to
the movie. Even though it was a local publication, many stars
subscribed to it. We have photos of such stars as Fred MacMurray,
Mickey Rooney, Abbott and Costello, Dick Powell and others
reading our publication.
Late in December, 1941, we were
proud to present the world premiere
of "The Man Who Came to Dinner,"
starring Paragould's own, Bill Justice
-- known in Hollywood as Richard
Travis. The film also starred Bette
Davis, Ann Sheridan and Jimmy Du-
rante. Richard Travis came back to
Paragould for the premiere. Richard
-- or Bill, as we knew him -- had been
one of our employees and was the edi-
tor of "Cinemag" when he lived here.
The Capitol had "Pal Night" on
Tuesdays and "Bank Night" on Wed-
nesdays. "Pal Night" was simply two
for the price of one. "Bank Night" in-
volved signing up and receiving a
number. Sometime during the show, a
number was drawn and if it was your
number, you won the amount of money offered in the pot. During
this time, Walter Cole was constructing Kings-way. His
number was drawn one night and he won $100. I remember his
comment was that now he could put in
the dance floor at Kingsway.
The Capitol was used not only for
entertainment purposes but for com-
munity projects and patriotic events
as well. During World War II, a war
bond rally was held there. One would
buy a war bond from what was known
as the victory girl or from the bank and get a free ticket to
the movie at the Capitol. When the rally was held, the picture
showing was "Across the Pacific" with Humphrey Bogart and
During WWII, I was called by the
Army to duty in the Hawaiian Islands.
I was gone approximately two years.
During my absence, my wife, Frances
-- as did many wives whose husbands
were serving their country -- took over and operated the Capitol
Theatres on top of running a household with three children in
it. It was a difficult separation but one that gave us both new
In later years, the Capitol was used
for the "Belles and Beaus" show, pre-
sented by the hospital auxillary, and for many years, if one
would bring a canned food with them, they would be admitted free
to see the show and the food was given to the Goodfellows group
for needy families at Christmas time. The Capitol was even used
as a Sunday School classroom during the Depression when the
doors of the church were closed.
Gathering chestnuts in the
My parents, Mr. and Mrs. H. W.
Woosley, moved into their new home at 617 W. Garland in
1912 when I was a year old.
When I was about 10 or 11 years old,
several of the neighborhood children
would get up before daylight, take
flashlights and go up to the chestnut trees. There were two
trees, one on
either side of the sidewalk leading to
the Methodist parsonage, located
|| In 1965, the Capitol was
and remains much the same today.
Our current projectionist, Everett
Ward, has been with the Capitol since
A lot of careful planning, figuring and refiguring went into the
preparation of the Sunset Drive-In Theatre.
We travelled all over the nation looking at established drive-in
theatres getting ideas and adding our own thoughts and designs
Dale Hamilton was the contractor who built the Sunset and I think he was
almost as proud of it as we were. It opened in late June, 1950.
It consisted of a large, well-lit marquee at the entrance of the
to the box office. Also at the entrance
stood a fountain with colored footlights. In addition, we had a
concession stand, projection booth, 560 speakers and our screen
measuring 60-feet wide. We also had playground equipment, much
to the delight of our younger customers.
In 1954, our original screen was blown down by a storm. We were
closed from June until August when
we finally got our new screen, measur-ing 105-feet wide and
70-feet tall --
one of the tallest screens in the state.
It was equivalent to a seven-story
I'm sure many people will remember the marvelous fireworks display the
Sunset had every July 4, with the
whole town turning out. Hansel Yopp
was always in charge of the firework
flag, placed at the top of the screen.
He wouldn't let anyone else do it. One
year, it was time for the flag to be lit
for the finale and out came an upside-
down American flag.
Another celebration at the drive-in
was called Anniversary Week, a week-
long celebration of the anniversary of
the opening of the Sunset. One year,
we gave a way a fur-lined bathtub full
of groceries. We held 10 or 15 events
every night of Anniversary Week, inclu-
ding the diaper derby, greased pig
contest, sack races and greased pole
contest. If you came in your swimsuit,
you were admitted free.
George Allen Haynes drove in with
a purple polka-dot car and was able to
fit 19 people into it. He was awarded
free admission and a cash prize.
For many years, the Sunset was the
meeting place for the Easter Sunrise
service sponsored by the First Metho-
dist Church. The minister, Brother
Williford, and the choir would be on
the roof of the concession stand with
microphones hooked into the speakers
so everyone could hear. A piano,
played by Wirta Potter, was provided
by Otis Jones of Beard's Temple of
Music. The evening before the sunrise
service, we would place a 30-foot cross
atop the marquee with blue spotlights
on it, announcing the services for the
next morning. The cross and lights
stayed there all night.
Many political rallies have been held at our drive-in. Political rallies
were held not only for local candidates, but state-wide offices
as well, with speakers such as Orval Faubus, Dale Bumpers, David
Pryor, Joe Purcell, Bill Alexander and, in the summer of 1968,
Ralph Ratton, seeking a congressional seat.
I am proud of the fact that my family
has operated the Capitol Theatre since its opening in 1925. We
are still operat-
ing it today. Many good times have been had by many people at
the Sunset Drive-In Theater as well.
Thank you, Greene County, for letting us entertain you.
Orris F. Collins
across from the present Methodist Church. There were always more
nuts to pick up after a rainy, windy night.
I also recall going to the serials at
the show on Friday nights especially
"Pearl White and the Hooded Terror." Then, on Saturdays, all the
kids would recreate or play the episode we had seen on Friday
I also remember the 4 a.m. walks,
occasionally, to the train station to get
the train to go to Memphis.
Mary Woosley Baxter
Lake Jackson, Texas
|| Slivers of ice, serials and
singing at the sink
In the late 1920s, all of the 1930s and
early 1940s, what fun it was to grow
up in the "Magic Square" of Paragould, which was bound on the
east by South Tenth Street and on the west by 15th Street (now
the bypass). West Court Street was on the north and Kingshigh-way
on the South.
Some of the things we kids did to oc-
cupy our time, besides our chores, we-
re...go to the movie on "Pal Night"
when two could go for the price of one
--which was a dime -- and try to con-
vince the ticket lady that we weren't
12 years old yet. We also would to to
the movie on Saturday to keep up with
the serials, which would always end
with someone hanging on a ledge,
about to drown or catch fire. And the
next Saturday, that part probably
wouldn't even be in the next serial!
We would put on plays in the barns
and charge a bobby pin or safety pin
and then the customer didn't have
one, we would run in the house and
get them one.
We flew kites made out of the Daily
Press with sticks, twine and rags for
the tails. Paste was made out of flour
Late in the evening, we would sit
out under the streetlight on the corner
of Main and 12th streets and tell ghost
stories until we would get scared and
run home. Our parents were usually
sitting on the front porch all around the neighborhood.
Our dad would have a lot of water-
melons given to him and we would put
them under our beds to keep cool.
Whenever there were enough kids or
neighbors around, we would eat one.
Ice was delivered in the back of an
ice truck by Mr. Higgins and we had a
card that had the different pounds on
it. The card was turned to the pounds
of ice you wanted that day and put in
the window. We would rush out to the
truck hen he chipped off the block
and he would give us the slivers. Some-
times he would accidentally (?) chip off a big chunk. Heavenly!
Comic books were the rage and
those who could afford to buy them
would pass them on to someone else.
Later on, the Hit Parade Songbook
was sold and when I would get an extra dime, I would buy one and
wash dishes and sing those songs until my mother would ask me to
stop for awhile. I knew every word to every song.
Our dad, Arthur Pillow, liked to fox
hunt and he did so nearly every week-
end and during the week if he could.
Every once in awhile, a panther would get in with the hunt and
the dogs would go wild, not knowing whether to chase the fox or
run from the panther. Of course, the dogs were never -- but
never -- supposed to catch the fox. The men would hunt until
after midnight and then go back to the same place several days
later to pick up their dogs. Usually the
farmers in the area were nice enough
to catch them and pen them up until
the owners returned.
One time when he was out hunting,
the Northern Lights could be seen and, of course, they lit up
the whole sky. Papa came home real fast and was so scared. He
thought the world was coming to an end.
Frank Nash, a notorious gangster
who was a cohort with Pretty Boy
Floyd, was killed June 17, 1933 in
Kansas City, Mo. He was brought to
Paragould to be buried at the Linwood
Mausoleum, which was just across the
street from our house on Kingshighway.
When they had his funeral, most of the people stayed in their
houses until it was over because it was feared that some more
gangsters might attend the service and there would be more
All through this growing up the most influential thing in my life
was my good, Christian mother -- who minded her own business and
told us to, and who under-stood my ups and downs.
I still live within one block of that
"Magic Square," and go over there very often. I hope your
growing up was as much fun.
Dora Pillow Hunter